In traditional as well as contemporary African society, cultural practices occupy an important place in the daily life of communities. These practices are intended to secure a peaceful and harmonious life in the society. However, in present-day Africa, traditional practices are becoming more and more a divisive topic, and more often than not they are simply rejected by some people in the society; particularly the young people. They see traditional practices as an obstacle to their freedom. This situation drives a wedge between the traditional custodians of customs and the younger generation; thus, undermining the social cohesion. This paper aims at exploring some practices among which the funeral rites in Akan society as they are represented in the novel. It purports to show that for some people these practices constitute a source of harmony in the society and a means of preserving Akan cultural values while others view them as backward and an impediment to their liberty. Our attention will be focused on the analysis of the widowhood and other customary practices in relation with the dead and which are controversial sources. The paper also addresses the clash of generations and its impact on the individual in particular and on the society as a whole. The study will be carried out through a sociological and literary approach relying primarily on Ordained by the Oracle.

funeral rites, death, society, protest